First off, if you are like me who likes to scan through all the illustrations before reading a picture book, I'd recommend not doing it on this one or maybe stop before the last few pages. Part of the appeal of this book is the underlying mystery of who the Iron Lady is. Clues to her identity are peppered along the pages and there is a whole two page spread at the end for the great reveal. I think it's more fun to go in not knowing who she is and then re-reading it afterwards for further scrutiny.
While the quest for the Iron Lady is intriguing and definitely moves the story forward, my favorite part is in getting to discover the sights, history and delicacies of Paris. Although I could imagine the opposite may be true for children where finding out who the Iron Lady is, would probably be their main interest. The book does give a good balance between the two. And to explore this unique place through the eyes of Arlo, an equally exotic Armadillo from Brazil, is quite a brilliant combination. I found myself discovering new facts about an unfamiliar main character in an unfamiliar setting. For one, I didn't realize Armadillos have nine-bands. (Yes, as soon as the book mentioned it, I started counting Arlo's bands. And yes, there are exactly nine!)
Arlo's adventures in Paris included a visit to Arc De Triomphe, Cafe Gustave, Champs-Elysees, a local patisserie, the Louvre, the Seine, a bookstore in Rive Gauche, the Luxembourg Gardens and the Iron Lady of course. That is a lot of new places packed up in one book (and a mouthful of French words I had to learn to pronounce correctly)! I liked the fact page at the very end of the book which gave more details of the places Arlo had visited. It added a sense of history and authenticity to the story.
|Arlo visiting the Seine.|
The illustrations in the book are delightful and are all done by the author. Further googling Julie Kraulis revealed she is a freelance artist and illustrator. Her illustration style lends nicely to the picture book. It has a light feel to it with rich textures and delicate details done in graphite pencil. She uses a limited colour palette mainly based on France's tricolor flag with shades of ochre and light blue added. The effect gives a certain sophistication much like what one would associate with Paris.
I love the texture of the graphite. It seems like the use of graphite pencils with touches of color added through digital colouring or over layers of watercolour, gouache, or oil in this case is becoming a popular picture book illustration style. Artists who use similar techniques include Isabelle Arsenault and Beatrice Alemagna.
One thing I found curious is the absence of a map illustration. Given that this is a travel adventure picture book, a simple map illustration stuck somewhere as a visual reference on where those places are relative to each other would have been helpful.
All in all, I find the book quite an enjoyable read and pretty educational too. For someone who dreams of visiting Paris someday (and who doesn't?), reading the book felt like a mini-adventure prelude to the real thing. Arlo is certainly an interesting companion to travel with. And it looks like we would be seeing him in some more adventures in the future, judging from the pile of grandpa Augustine's journals on the shelf. Hmmm...I wonder where he would be off to next.